Showing posts with label Lowinsky. Show all posts
Showing posts with label Lowinsky. Show all posts

Monday, November 28, 2016

The Rabbi, the Goddess, and Jung

Just Published by Fisher King Press:

The Rabbi, The Goddess, And Jung 
by Naomi Ruth Lowinsky

"The Rabbi, the Goddess, and Jung, a book of essays written in tribute to the depths and the riches of Jungian Psychology—how it helps us get the “word from within”— enters the world at a time when most of us get the word from Facebook, Twitter, Instagram ... when the suck of all those e-mails demands our response before we write down that dream or take time to listen for the still small voice of the soul. As William Giraldi says, we are in thrall to our “illuminated rectangles.” I was moved to read his passionate defense of inwardness. I think it is not only literary art that needs to remain “steadfastly itself,” but Jungian Psychology, which does the subversive work of countering the dominant culture, honoring the “word from within” and the practice of tracking the dream. As Jung tells it in The Red Book, being a slave to “the spirit of the times” can annihilate the soul. A descent to the “the spirit of the depths” can release the spiral serpent of wisdom and creativity." (Naomi Ruth Lowinsky www.thesisterfrombelow.com)

Naomi Ruth Lowinsky creates a sanctuary for the soul in her new book, The Rabbi, the Goddess, and Jung. She shows us the ways in which cultivation of one’s inner life creates sacred space. Admitting that this is not an easy practice in our hectic, fearful times, she demonstrates how the word from within orients—whether it comes as gift or disturbance, guest or ghost, riddle or revelation. It may force a confrontation with one’s worst fears. It may visit in nightmare images, such as . . . Learn More
Fisher King Press publishes an eclectic mix of worthy books including Jungian Psychological Perspectives and a growing list of Cutting-Edge alternative titles. www.fisherkingpress.com

Friday, July 10, 2015

Lowinsky on Grandmothers and The Motherline

https://fisherkingpress.com/n/product-category/naomi-ruth-lowinsky
—Naomi Ruth Lowinsky, from The Motherline: 
Every Woman's Journey to Find Her Female Roots

"Standing at the crossings of family history, generational change, and archetypal meanings, a grandmother locates her grandchild in the life stream of the generations. She is the tie to the subterranean world of the ancestors; she plays a key role in helping a woman reclaim essential aspects of her feminine self. Standing close to death, she remembers the dead. She tells their stories, hands down their meanings and their possessions. Often she is the first to tell her granddaughter the stories from her Motherline. Evoking the Eleusinian emotions of the life cycle, these stories return a woman to her place of emergence, reminding her that she is woman, born of woman. Telling these stories enacts an archetypal healing principle found in tribal cultures and in psychotherapy: the 'return to origins.'"
Fisher King Press publishes an eclectic mix of worthy books including 
Jungian Psychological Perspectives, Cutting-Edge Fiction, Poetry, 
and a growing list of alternative titles. 

Wednesday, April 10, 2013

What Became of Our Fierce Flowering?


April 10, 2013 - Just published by il piccolo editions

The Faust Woman Poems
by Naomi Ruth Lowinsky

What became of our fierce flowering?

In the 1960s and '70s the long forgotten and forbidden Great Goddess roused herself from millennia of slumber and took possession of young women’s imaginations. That cast out She offered a Faustian bargain—She would rip you out of your narrow domesticated self image, thrust you into the wilds of sex, power and creativity, initiate you into the mysteries of Earth and Starry Heaven, but you would owe Her your soul. A generation of women followed Her. Some knew her as Feminism, some knew her as the Deep Feminine, many as both.

The Faust Woman Poems trace one woman’s Faustian adventures through that time. Most of a lifetime later the Great Goddess returns to the poet.  As oceans rise and species die She demands Her due.

About the Author:
Naomi Ruth Lowinsky lives at the confluence of the River Psyche and the Deep River of poetry. The Sister from Below: When the Muse Gets Her Way tells stories of her pushy muse. She is the co-editor, with Patricia Damery, of the new collection Marked by Fire: Stories of the Jungian Way. In addition to the Faust Woman Poems, Naomi is also the author of three books of poetry, including the recently published Adagio & Lamentation. Her poetry has been widely published and she is the winner of the Obama Millennium Award. She is a member of the San Francisco Institute and has for years led a writing circle there, called Deep River.

Cover image Papilla Estelar is a painting by Remedios Varo, used with permission from the Varo Estate, © 2013 Artists Rights Society (ARS), New York / VEGAP, Madrid.

Product Details
The Faust Woman Poems
Paperback: 90 pages
Publisher: il piccolo editions; 1st edition (April 10, 2013)
Language: English
ISBN: 978-1926715971
Fisher King Press publishes an eclectic mix of worthy books including 
Jungian Psychological Perspectives, Cutting-Edge Fiction, Poetry, 
and a growing list of alternative titles. 

Wednesday, April 25, 2012

Marked by Fire and the Gathering of Souls


Contributors Present: Chie Lee, Sharon Heath, Jacqueline Gerson, Naomi Lowinsky,
 Karlyn Ward, Patricia Damery,  Dennis Patrick Slattery, Jean Kirsch,
Robert Romanyshyn, Claire Douglas, Gilda Frantz, at Saturday evening dinner.

Several of the Marked by Fire: Stories of the Jungian Way authors traveled to Los Angeles on April 14 & 15 for the official book launch hosted by the C.G. Jung Institute of Los Angeles. The Saturday evening before the launch, one of the contributors, Chie Lee, President of the Los Angeles Institute, hosted a dinner for the authors and their spouses. Eleven of the thirteen contributors were able to be present.

Henry Abramovitch on Skype
from Jerusalem.

Jerome Bernstein via
Skype from Sante Fe. 


Sunday's book launch was a full house at Temple Isaiah across the street from the Los Angeles C.G. Jung Institute. Christophe Le Mouel, Executive Director of the LA Institute, arranged Skype so that Jerome Bernstein from Santa Fe and Henry Abromovitch from Jerusalem could also join the celebration.








Marked By Fire: Stories of the Jungian Way








Fisher King Press publishes an eclectic mix of worthy books including 
Jungian Psychological Perspectives, Cutting-Edge Fiction, Poetry, 
and a growing list of alternative titles. 

Saturday, February 11, 2012

She’s certainly not about the ordinary business of life . . .


The Sister from Below:
When the Muse Gets Her Way

a Jungian Perspective by Naomi Ruth Lowinsky

The Sister speaks to all those who want to cultivate an unlived promise—those on a spiritual path, those who are filled with the urgency of poems that have to be written, paintings that must be painted, journeys that yearn to be taken…

Who is She, this Sister from Below? She’s certainly not about the ordinary business of life: work, shopping, making dinner. She speaks from other realms. If you’ll allow, She’ll whisper in your ear, lead your thoughts astray, fill you with strange yearnings, get you hot and bothered, send you off on some wild goose chase of a daydream, eat up hours of your time. She’s a siren, a seductress, a shape-shifter . . . Why listen to such a troublemaker? Because She is essential to the creative process: She holds the keys to the doors of our imaginations and deeper life—the evolution of Soul.

The Sister emerges out of reverie, dream, a fleeting memory, a difficult emotion—she is the moment of inspiration—the muse. Naomi Ruth Lowinsky writes of nine manifestations in which the muse visits her, stirring up creative ferment, filling her with ghosts, mysteries, erotic teachings, the old religion—bringing forth her voice as a poet. Among these forms of the muse are the “Sister from Below,” the inner poet who has spoken for the soul since language began. The muse also appears as the ghost of a grandmother Naomi never met, who died in the Shoah—a grandmother with ‘unfinished business.’ She visits in the form of Old Mother India, whose culture Naomi visited as a young woman. She cracks open her Western mind, flooding her with many gods and goddesses. She appears as Sappho, the great lyric poet of the ancient world, who engages her in a lovely midlife fantasy. She comes as “Die Ür Naomi,” an old woman from the biblical story for which Naomi was named, who insists on telling Her version of the Book of Ruth. And in the end, surprisingly, the muse appears in the form of a man, a long dead poet whom Naomi loved in her youth.

The Sister from Below is a personal story, yet universal, of giving up a creative calling because of life’s obligations, and being called back to it in later life. This forthcoming Fisher King Press publication describes the intricate patterns of a rich inner life; it is a traveler’s memoir, with outer journeys to Italy, India and a Neolithic cave in Bulgaria, and inward journeys to biblical Canaan and Sappho’s Greece; it is filled with mythic experience, a poet’s story told. The Sister conveys the lived experience of the creative life, a life in which active imagination—the Jungian technique of engaging with inner figures—is an essential practice.

eBook, Paperback, Download a Free PDF Sample at the Fisher King Press Online Bookstore.

Naomi Ruth Lowinsky is the author of The Motherline: Every Woman’s Journey to Find Her Female Roots (2008) and numerous prose essays, many of which have been published in Psychological Perspectives and The Jung Journal. She has had poetry published in many literary magazines and anthologies, among them After Shocks: The Poetry of Recovery, Weber Studies, Rattle, Atlanta Review, Tiferet and Asheville Poetry Review. Naomi has three published poetry collections, Adagio and Lamentation, red clay is talking (2000) and crimes of the dreamer. She has been nominated for a Pushcart Prize three times. Naomi is a Jungian analyst in private practice, poetry and fiction editor of Psychological Perspectives, and a grandmother many times over.

The cover image "Phases of the Moon" is an oil painting by Bianca Daalder-van Iersel, an artist and Jungian analyst practicing in Los Angeles, California. You can learn more about the artist and her work at www.bdaalder.com.

The Sister from Below : When the Muse Gets Her Way
—by Naomi Ruth Lowinsky
ISBN 978-0-9810344-2-3

Friday, January 27, 2012

The Red Book and a Word from the Sister

Marked By Fire
Stories of the Jungian Way
"This life is the way, the long sought after way to the unfathomable which we call divine"
—C.G. Jung, The Red Book
Marked by Fire: Stories of the Jungian Way is a soulful collection of essays that illuminate the inner life.

When Soul appeared to C.G. Jung and demanded he change his life, he opened himself to the powerful forces of the unconscious. He recorded his inner journey, his conversations with figures that appeared to him in vision and in dream in The Red Book. Although it would be years before The Red Book was published, much of what we now know as Jungian psychology began in those pages, when Jung allowed the irrational to assault him. That was a century ago.

How do those of us who dedicate ourselves to Jung’s psychology as analysts, teachers, writers respond to Soul’s demands in our own lives? If we believe, with Jung, in “the reality of the psyche,” how does that shape us? The articles in Marked By Fire portray direct experiences of the unconscious; they tell life stories about the fiery process of becoming ourselves.

A Word from the Sister
The publication of “Marked by Fire” is exciting. I want to share a portion of Naomi's essay in the collection, especially the part where I show up and play a pivotal role. I hope you’ll want to read more....
Drunk with Fire
How The Red Book Transformed My Jung
Support me for I stagger, drunk with fire. . . . I climbed down through the centuries and plunged into the sun far at the bottom. And I rose up drunk from the sun . . . The Red Book
There has been a breach between C. G. Jung and me. How could that happen? I had no idea who I was until I met Jung, nor had I had a decent conversation with my soul. Jungian analysis showed me my way into the world, and into my inner life—it opened the door to the poet I'd left behind in my childhood. But when I encountered Jung's suspicious attitude toward artists—so like a Swiss burgher—the poet in me was offended.

Enter The Red Book. When I sat down with that enormous tome on my lap and leafed through its gloriously illuminated pages, its visionary poetry, its astounding paintings and mandalas, my heart opened to my illustrious ancestor—all was forgiven. I felt vindicated. Jung, as I'd always suspected, was a closeted poet.

What is this Red Book? During a difficult time in his life, after his break with Freud, Jung was deluged with powerful images and visions. He wrote them down and painted them. He created a strange and beautiful book—bound in red leather—to hold them. It looks like a medieval illuminated manuscript. The Red Book was not published, even after his death, because of concerns that its wild, prophetic tone would cause people to dismiss Jung as a mystic or a madman. When it finally came out in 2009, it surprised the Jungian world by creating a media sensation and selling out its first printing

With the publication of The Red Book my Jung has been transformed. He is "outed" as a poet and a painter. He writes directly out of his vulnerability, working out his relationship with his soul in the depths of the mythopoetic imagination, just as I do. In The Red Book Jung reclaims his soul—or rather she reclaims him. She appears to him and becomes his guide. She is an inner figure with a mind of her own. This honoring of the voice from within, which Jung would later call active imagination, is one of his greatest gifts to me. Instead of ignoring or dismissing voices that speak to me from within, Jung taught me to listen and to engage in dialogue with them. When "The Sister from Below" began speaking to me, telling me she was my muse, my soul, my writing life took off....


When Jung implores, "Support me for I stagger drunk with fire," I feel a tug and am deeply moved. Why is this? They are wildly poetic words—in the Dionysian mode. They take me down to that primal level of religious feeling—worship of the sun, our source. I know the states he describes. To be drunk with fire tells it all—the creative ecstasy—at once wildly enlivening and demonic—fire as Dionysus, fire as Shiva, fire as Pele. Certainly being a poet can mean being drunk with the sun from the bottom of time. One finds oneself climbing "down through the centuries" pursuing a word, an image, a phrase of goat song.

It has been essential for me to write directly out of the experience of being in other realities, rather than describing such states from a safe distance. In The Red Book Jung contains his intense and overwhelming experiences by writing them down, by painting them. I recognize that urge. I have shelves and shelves of journals in which I've worked to contain my own fire, to follow inner figures, to work with poems and with dreams, to dive below the surface of the times to what is moving in the depths. And I always feel better, more grounded, more real to myself after I do.

Enter, the Sister from Below. She's got an idea:

Why don't you take your own advice? Do an active imagination with Jung, now that you feel this warm glow of kinships libido for him? Imagine you two are sitting by the primordial fire, as he puts it in The Red Book:
An old secret fire burns between us. . . . The words uttered at the fire are ambiguous and deep and show life the right way. . . .
[We] will respect the holy fire again, as well as the shades sitting at the hearth, and the words that encircle the flames.
This makes me nervous. Jung is the master of active imagination. Is it hubris to invoke him? But I have learned to listen to the Sister. So I sit down, with my notebook. Jung, I discover, is reluctant. He is not at all sure he wants to engage in this exercise...


Marked By Fire: Stories of the Jungian Way
Volume 1 - Inaugural Edition, Edited by Patricia Damery and Naomi Ruth Lowinsky. Available Spring 2012

Contributors to Marked by Fire: Jerome Bernstein, Claire Douglas, Gilda Frantz, Jacqueline Gerson, Jean Kirsch, Chie Lee, Karlyn Ward, Henry Abramovitch, Sharon Heath, Dennis Patrick Slattery, Robert Romanyshyn, Patricia Damery, and Naomi Ruth Lowinsky.

Paperback & eBook editions - Advance Orders Welcomed

Product Details
Paperback & eBook editions: 150 pages (estimate)
Large Page Size Format 9.25" x 7.5"
Publisher: Fisher King Press; 1st edition (April 2012)
Language: English
ISBN-10: 1-926715-68-3
ISBN-13: 978-1-926715-68-1


Fisher King Press publishes an eclectic mix of worthy books including 
Jungian Psychological Perspectives, Cutting-Edge Fiction, Poetry, 
and a growing list of alternative titles. 

Monday, December 5, 2011

Marked By Fire: Stories of the Jungian Way

Marked By Fire: Stories of the Jungian Way
The Fisher King Review, Volume 1 - Inaugural Edition
Edited by Patricia Damery and Naomi Ruth Lowinsky

"This life is the way, the long sought after way to the unfathomable which we call divine" —C.G. Jung, The Red Book

Marked by Fire: Stories of the Jungian Way is a soulful collection of essays that illuminate the inner life.

When Soul appeared to C.G. Jung and demanded he change his life, he opened himself to the powerful forces of the unconscious. He recorded his inner journey, his conversations with figures that appeared to him in vision and in dream in The Red Book. Although it would be years before The Red Book was published, much of what we now know as Jungian psychology began in those pages, when Jung allowed the irrational to assault him. That was a century ago.

How do those of us who dedicate ourselves to Jung’s psychology as analysts, teachers, writers respond to Soul’s demands in our own lives?  If we believe, with Jung, in “the reality of the psyche,” how does that shape us? The articles in Marked By Fire portray direct experiences of the unconscious; they tell life stories about the fiery process of becoming ourselves.

Contributors to this edition of the Fisher King Review include: Jerome Bernstein, Claire Douglas, Gilda Frantz, Jacqueline Gerson, Jean Kirsch, Chie Lee, Karlyn Ward, Henry Abramovitch, Sharon Heath, Dennis Patrick Slattery, Robert Romanyshyn, Patricia Damery, and Naomi Ruth Lowinsky.

Product Details
Paperback & eBook editions: 150 pages (estimate)
Trim Size 9.25" x 7.5"
Publisher: Fisher King Press; 1st edition (April 2012)
Language: English
ISBN-10: 1-926715-68-3
ISBN-13: 978-1-926715-68-1
Fisher King Press publishes an eclectic mix of worthy books including Jungian Psychological Perspectives, Cutting-Edge Fiction, and a growing list of alternative titles.
    • International Shipping.
    • Credit Cards Accepted.
    • Phone Orders Welcomed: +1-831-238-7799 skype: fisher_king_press

    Thursday, April 22, 2010

    Mothers Day, The Motherline, and The Great Mother Re-Imagined

    With Mothers Day fast approaching, perhaps the following Fisher King Press titles will be of interest:

    The Motherline: Every Woman's Journey to find her Female Roots
    by Naomi Ruth Lowinsky.

    The Motherline takes the perspective of the mother who is always also a daughter. It is a book for women who have mothers, are mothers, or are considering becoming mothers, and for the men who love them. Telling the stories of women whose maturation has been experienced in the cycle of mothering, it urges a view of the psyche of women that does not sever mother from daughter, feminism from "the feminine," body from soul.

    It argues that the path to wholeness requires us to reclaim aspects of the feminine self that we have lost or forgotten in our struggle to free ourselves from constricting roles. It describes a woman's journey to find her roots in the personal, cultural, and archetypal Motherline.

    Our mothers are the first world we know, the source of our lives and our stories. Embodying the mysteries of origin, they tie us to the great web of kin and generation. Yet the voice of their experience is seldom heard. We have no cultural mirror in which to envision the fullness of female development; we are deprived of images of female wisdom and maturity. Finding our female roots, reclaiming our feminine souls, requires us to pay attention to our real mothers' lives and experience. Listening to our mothers' stories is the beginning of understanding our own.

    Reviews
    “(In) this perceptive and penetrating study . . . (Naomi Ruth Lowinsky) imaginatively applies Jungian, feminist and literary approaches to popular attitudes about . . . mothers and daughters and movingly, to personal experience.”
    —Publisher’s Weekly

    “A combination of years of scholarship and recordings of personal journeys, this book belongs in every woman’s psychology/spirituality collection.”
    —Library Journal

    “In this accessible volume, Jungian psychologist Lowinsky explores the pain that women feel when their mother-love is undervalued or erased.”
    —ALA Booklist

    About the Author
    Naomi Ruth Lowinsky is the author of The Sister from Below: When the Muse Gets Her Way and The Motherline: Every Woman's Journey to Find Her Female Roots and numerous prose essays, many of which have been published in Psychological Perspectives and The Jung Journal. She has had poetry published in many literary magazines and anthologies, among them After Shocks: The Poetry of Recovery, Weber Studies, Rattle, Atlanta Review, Tiferet and Asheville Poetry Review. Her two poetry collections, red clay is talking (2000) and crimes of the dreamer (2005) were published by Scarlet Tanager Books. She has been nominated for a Pushcart Prize three times and the recent recipient of the Obama Millennium Poetry awarded for "Madelyn Dunham, Passing On.” Naomi is a Jungian analyst in private practice, poetry and fiction editor of Psychological Perspectives, and a grandmother many times over.

    Re-Imagining Mary: A Journey Through Art to the Feminine Self 
    by Mariann Burke

    Artists plumb the depths of soul which Jung calls the collective unconscious, the inheritance of our ancestors' psychic responses to life’s drama. In this sense the artist is priest, mediating between us and God. The artist introduces us to ourselves by inviting us into the world of image. We may enter this world to contemplate briefly or at length. Some paintings invite us back over and over again and we return, never tiring of them. It is especially these that lead us to the Great Mystery, beyond image. Re-imagining Mary: A Journey through Art to the Feminine Self is about meeting the Cosmic Mary in image and imagination, the many facets of the Mary image that mirror both outer reality and inner feminine soul. Jungian analyst Mariann Burke explores symbolic meanings of paintings and sculptures by several famous artist from the renaissance period on up to our modern age including: Fra Angelico, Albrecht Durer, Henry Ossawa Tanner, Nicolas Poussin, Parmigianino, Duccio di Buoninsegna, Salvador Dali, Andy Warhol, and Frederick Franck.

    Aspects of Mary explored include: Mary not only as Mother of God, a title from the Judeo-Christian tradition, but as Mother God, a title reaching back to an ancient longing for a Female Divinity. In western Christianity this Mary bears the titles and the qualities worshipped for thousands of years in the Female images of God and Goddess. These titles include Mary as Sorrowful One and as Primordial Mother. Recovering Mary both as light and dark Madonna plays a crucial role in humanity s search for a divinity who reflects soul. Also discussed is Mary as the sheltering Great Mother that Piero della Francesca suggest in the Madonna del Parto and Mater Misericodia. Frederick Franck s The Original Face and the Medieval Vierge Ouvrante also suggest this motif of Mary as Protector of the mystery of our common Origin. Franck s inspiration for his sculpture of Mary was the Buddhist koan 'What is your original face before you were born?'

    Reviews
    "In this beautiful book, recounting her personal journey of discovery, Mariann Burke offers us her awakening to the experience of the Feminine. We follow her as she encounters and responds to images of Mary which hold meaning for her: Mary as Virgin Mother, Mary as Mirror, Mary as the Compassionate Sanctuary for suffering humanity, Mary as Temple, Mary as Black Madonna and Divine Wisdom. Through her contemplation of these images, she leads us deeper into an understanding of the Feminine and into unexplored dimensions of the soul. This is a book to savor and return to often."

    "Mariann Burke has undertaken the remarkable and urgent task of grounding one of the major icons of Christian history, Mary. She plants Mary side by side with her ancient sister colleagues: Isis, Kali, Demeter, Tara and others, revealing Mary's ancient roots. This reading is critical for the 21st century since, through Mary, one expression of the Feminine archetype, matter can again be seen as divinized and the idea of incarnation pushed solidly into the matter of all things. Re-Imagining Mary is really re-imagining ourselves as women and men giving birth to God in newer and more relevant ways today. It is reimagining not only our own personal soul s journey but also the deep sacredness of the soul of the world itself."
    --Fred Gustafson, author of The Black Madonna.

    About the Author
    Mariann Burke is a Jungian analyst in private practice in Newton, MA. She holds graduate degrees from the University of Pittsburgh, Andover-Newton Theological School, and the C. G. Jung Institute in Zurich, Switzerland. She has done graduate work in Scripture at Union Theological Seminary and La Salle University. Her interests include the body-psyche connection, feminine spirituality, and the psychic roots of Christian symbolism. She is a member of the Religious of the Sacred Heart (RSCJ).

    Phone orders welcomed, Credit Cards accepted: +1-831-238-7799.