The Seed of a Creative Life

The Seed of a Creative Life

by Lawrence Staples,
author of The Creative Soul: Art and the Quest for Wholeness and Guilt with a Twist: The Promethean Way

Active imagination is a technique developed by C.G. Jung to help amplify, interpret, and integrate the contents of our dreams. When approached by way of writing, active imagination is like writing a play. One takes, for example, a figure that has appeared in one’s dreams. Usually, these figures express a viewpoint quite the opposite of one’s normal conscious view. Sometimes it is a male or female, shadow figure. At other times, it may be a feminine, anima, or maternal figure.

One starts to converse with the figure in writing. One challenges the dream figure and lets him/her challenge the dreamer. The dreamer asks the figure why he appeared in the dream. He asks the figure what it wants from him. Then, the ego, like a playwright, puts himself as best he can into the figure’s shoes and tries to express it and defend its viewpoint. There ensues a dialogue between the writer and the opposite figure in his dream or piece of writing. With practice one can become accomplished at expressing both viewpoints, just as a playwright does. One gets better at this the more one does it.

The technique of active imagination tends to detach the qualities and traits that are first seen in a dream or in a story as belonging to external persons, and coming to see them as belonging to one’s self. Active imagination, then, helps the writer become conscious of his opposite qualities by forcing him to give voice to figures, like shadow figures, that carry qualities opposite those of his ego. These qualities personify the rejected opposites that are present in the unconscious. This technique helps recover them and make them available to the ego and consciousness without necessarily having to act them out.

Following is an impressive and rich example of the power of this technique to affect and even shape our lives. It’s an active imagination done by Mel Mathews when he was in his late thirties. He was an extremely successful salesman who was, nevertheless, unhappy with his work and life. Despite his high income, work had lost its meaning for him. He had entered Jungian analysis in order to help him out of his suffocating existence and find a new and different way. He had a powerful dream that he took to his analyst. His analyst suggested he do active imagination with one of the figures in the dream. His is a beautiful example of active imagination that led to much more than a dialogue. It became the seed of a creative life that grew and flourished into a wholly new career. Out of his active imagination came a novel, LeRoi - Book 1 of The Chronicles of a Wandering Soul series, which was then followed by several other novels, including Menopause Man-Unplugged and SamSara.

The power of the active imagination is seen in the fact that it unearthed in Mel some deep hidden spring of creativity that suddenly gushed forth. Apparently, he had been living a life of suspended animation that lay there until some psychic prince awoke it. He had the following dream:

A woman was sitting in a diner, in a booth smoking. “Excuse me, I wonder if you could put your cigarette out?” I asked. She ignored me. A few minutes later she lit up again. I stood up, walked around to her booth, grabbed her pack of smokes and the ashtray and walked out the front door. I dumped the ashtray and stepped on her lit smoke; then, I dropped her pack and stomped them as well. I walked back inside, slammed the empty ashtray down on the coffee counter and sat down. A petite pony-tailed brunette walked up with the iced tea pitcher to refill my glass. “Can I have some more ice please?” “Sure,” she answered, “I’m sure (Flo) the boss-lady will be out in a minute,” the brunette said, as she turned around with my ice. “What does she want?” “You’ll have to ask her yourself.”

Mel discussed the dream with his analyst who suggested a dialogue with the boss-lady.

Following is his active imagination with Flo, the name of the boss-lady. This brief dialogue is to his novel what an acorn is to an oak tree. This brief dialogue apparently contained all the genetic codes necessary to make a novel just as an acorn has the genetic codes that lead to an oak tree.

Flo: Howdy.

Mel: Hi.

Flo: Purdy hot day, huh?

Mel: I can stand the heat. It’s the stray cigarette smoke that sets me off.

Flo: So that gives you the right to run off one of my regulars.

Mel: I asked her to put it out.

Flo: Did you ask her or did you beat around the bush with some rude indirect comment?

Mel: Lady, I don’t know who you are or what’s on your mind, but I really don’t need any more crap today.

Flo: Well kid right now you’re in my diner and you’re runnin’ off my patrons.

Mel: Oh great.

Flo: I’ve dealt with your kind for years so let’s just cut to the quick.

Mel: Look, lady, I’m sorry if I offended anybody here, but I’ve got some problems. My MG is broken down across the street.

Flo: So what?

Mel: Things just aren’t falling into place today.

Flo: Would you like some chocolate milk little boy, or how about your ass wiped? In this café, the world doesn’t revolve around you.

While the creative process is different for each individual, one can sometimes discern similarities. The seed that unleashed Mel’s creative process was a dream and a few sentences associated with the dream. His process bears some resemblance to the process by which Isak Dineson created her work.

Mel Mathews' development as a person and a writer is a wonderful testimony to the power of creativity to shape our lives and connect us to our souls. His dream and the dialogue that flowed from it to create LeRoi is an incredibly rich and impressive example of active imagination, as I understand it. His experience of active imagination is one of the most powerful examples I have ever witnessed. His dialogue with Flo seemed to unearth for him a huge reservoir of suspended animation that poured forth into the world and continues to flow. Actually, "Flo" and "flow" do seem somehow related. Mel's experience is enough to encourage therapists not only to use active imagination with their clients but also with themselves."

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The Chronicles of a Wandering Soul

il piccolo editions presents

LeRoi, a novel
by Mel Mathews

“An introspective allegory about the search for prosperity of the soul . . .”

—Midwest Book Review

“Mel Mathews’ place in the ranks of fine contemporary writers is assured.”

In The Chronicles of a Wandering Soul series, the wandering, questing central figure of Malcolm Clay has become a new literary icon. With thoughtful ruminations, keen humor, informative explorations of themes from religion to traits of visited countries, and so many clever double entendres, Mel Mathews’ place in the ranks of fine contemporary writers is assured.

—Grady Harp, goodreads, Amazon.com Top10 Reviewer

“Vive LeRoi: A powerful kick at the American way of life.”

LeRoi is ostensibly a novel, and not overtly psychological, but it lays bare the psychic plight of a middle-aged man looking for meaning. It is a powerful kick at the American way of life—ambition, success, money and power—but it is redemptive in the narrator’s search for internal Eros and an outer relationship he can trust himself to believe in.

—Daryl Sharp, author and publisher, Inner City Books

In Book One of The Chronicles of a Wandering Soul, Malcolm Clay, a rather ornery but ‘successful-in-life’ character, finds himself stranded in the middle of nowhere, his fancy MG allowing him to limp into a gas station with a diner-cum-motel on the other side of the road. Subtly layered in symbol and metaphor, one soon realizes that the simplicity of this novel is only skin deep. The old mechanic, a study in laissez-faire and cool disdain, tries the patience of our hero. As a matter of fact, all members of the cast including the Queen who rules the diner, the pretty waitress and the lanky fast-order cook are highly complicated human beings. The enigmatic and moody old Chevy half-ton pick-up truck Malcolm borrows is unreliable in the conventional sense, but does grant him the freedom to escape the confines of the motel and the frustration of his broken down MG. ‘Ol’ Reliable’ guides him over a cattle guard, a mysterious unseen gateway into sanctuary, the oasis of a river that cuts through this otherwise barren wasteland where he can cast a fly into adventure—and misadventure—yet beyond that, healing waters for the soul. Could this perhaps be a modern day model of a questing Perceval and the Grail Legend’s Fisherking?

Order LeRoi  Book 1 of The Chronicles of a Wandering Soul  by calling +1-831-238-7799, skype: fisher_king_press .



il piccolo editions is an imprint of Fisher King Press, publisher of an eclectic mix of worthy books including Jungian Psychological Perspectives, Cutting Edge Fiction, and a growing list of alternative titles.

Copyright 2010 © Fisher King Press - Permission to reprint is granted.

A Reliable 21st Century Companion

Menopause Man  USA Today by Grady Harp

"Mel Mathews is a sensitive observer of the human condition, with an emphasis on the Male Human Condition of our time. He has created a character in Malcolm Clay that is a baby boomer Holden Caulfield, a variation on John Updike's Rabbit Angstrom, and he manages to take us by the hand and lead us through the bumpy terrain of current interpersonal relationships as well as anyone writing today.

"We first met Malcolm Clay in Mathews' first novel 'LeRoi' as a middle aged man trapped in a successful but boring occupation who becomes stranded in a dusty little truck stop where he is forced to slow his pace to adjust to the fertile characters he created there. Well, now Malcolm is living in Carmel, California, having been divorced, forgoing his childhood entrapping religious heritage, traipsing through many brief and physically oriented affairs while deciding to change his life as an alcoholic tractor salesman to that of a reformed AA writer ('..he didn't think anyone should be called an addict, alcoholic, codependent, or any other of the pathologized clinical diagnosis that propelled a person into another lie'). His existence is populated in this gorgeous coastline area of California by all manner of women and men whose connection to life is through tenuous strings tied to fairly shallow buoys. Most of the novel is conversational, with Malcolm discovering the intrinsic personality defects of characters ranging from his landlady Mrs. Shams to men on the make to physical therapist Jenny who manages to keep a physical distance between the lusty but controlled Malcolm and her fragile, purging diet, Zen-like self.

"What Malcolm discovers in this 'quasi-rake's progress' is his inner feminine 'who has been waiting for me to come for her so that she can breathe new life into me, animate me, and give me a new meaning.' Women 'never lied because of the devastating moral injustices it caused. Instead of lying, they just accidentally forgot to tell the important stuff'. All this is a journey so well written that the novel calls for pause to enjoy the sheer ebullience of the verbiage. Mel Mathews is a fine writer, finding his way through life in these times. He is a reliable companion on the trek we all are taking. And now on to the next volume in the series, 'SamSara', addictively!" by Grady Harp (Los Angeles, CA)

A Powerful Kick at the American Way of Life

"LeRoi is ostensibly a novel, and not overtly psychological, but it lays bare the psychic plight of a middle-aged salesman looking for meaning. It is a powerful kick at the American way of life—ambition, success, money and power—but it is redemptive in the narrator's search for internal Eros and an outer relationship he can trust himself to believe in."

—Daryl Sharp, Publisher, Inner City Books

 learn more about LeRoi and The Chronicles of a Wandering Soul series at fisherkingpress.com

The Anatomy of a Novel: Active Imagination

by Lawrence H. Staples
author of The Creative Soul: Art and the Quest for Wholeness

Active Imagination: What it is:
Active imagination is a technique developed by Jung to help amplify, interpret, and integrate the contents of dreams and creative works of art. When approached by way of writing, active imagination is like writing a play. One takes, for example, a figure that has appeared in one's dreams or creative writings. Usually, these figures express a viewpoint quite the opposite of one's normal conscious view. Sometimes it is a male, shadow figure. At other times, it may be a feminine, anima, or maternal figure. One starts to converse with the figure in writing. One challenges the dream figure and lets him/her challenge the dreamer. The dreamer asks the figure why he appeared in the dream. He asks the figure what it wants from him. Then, the ego, like a playwright, puts himself as best he can into the figure's shoes and tries to express it and defend its viewpoint. There ensues an iterative dialogue between the writer and the opposite figure in his dream or piece of writing. With practice one can become accomplished at expressing both viewpoints, just as a playwright does. One gets better at this the more one does it, just as the playwright does. The technique of active imagination tends to detach the qualities and traits that are first seen in a dream or in a story as belonging to external persons, and coming to see them as belonging to one's self. Active imagination, then, helps the writer become conscious of his opposite qualities by forcing him to give voice to figures, like shadow figures, that carry qualities opposite those of his ego. These qualities personify the rejected opposites that are present in the unconscious. This technique helps recover these rejected opposites and make them available to the ego and consciousness without necessarily having to act them out.

Example of Active Imagination:
Following is an impressive and rich example of the power of this technique to affect and even shape our lives. It's an active imagination done by a man in his late thirties. He was an extremely successful salesman who was, nevertheless, unhappy with his work and life. Despite his high income, work had lost its meaning for him. He had entered Jungian analysis in order to help him out of his suffocating existence and find a new and different way. He had a powerful dream that he took to his analyst. His analyst suggested he do active imagination with one of the figures in the dream. His is a beautiful example of active imagination that led to much more than a dialogue. It became the seed of a creative life that grew and flourished into a wholly new career. Out of his active imagination came a novel, LeRoi, which was then followed by two other novels, Menopause Man-Unplugged and SamSara . All have been published as the Malcolm Clay Trilogy and he is living today as a successful writer. He has written still more books that are waiting in the wings to be published. His name is Mel Mathews. The power of the active imagination is seen in the fact that it unearthed in him some deep hidden spring of creativity that suddenly gushed forth. Apparently, he had been living a life of suspended animation that lay there until some psychic prince awoke it.

The Dream:
Mel's book LeRoi was literally born from a dream and the active imagination he did with the dream. He had the following dream: A woman was sitting in a diner, in a booth smoking. " Excuse me, I wonder if you could put your cigarette out?" I asked. She ignored me. A few minutes later she lit up again. I stood up, walked around to her booth, grabbed her pack of smokes and the ashtray and walked out the front door. I dumped the ashtray and stepped on her lit smoke; then, I dropped her pack and stomped them as well. I walked back inside, slammed the empty ashtray down on the coffee counter and sat down. A petite pony-tailed brunette walked up with the iced tea pitcher to refill my glass. "Can I have some more ice please?" " Sure", she answered, " I'm sure (Flo) the boss-lady will be out in a minute", the brunette said, as she turned around with my ice. "What does she want?" " You'll have to ask her yourself."

Mel discussed the dream with his analyst who suggested a dialogue with the boss-lady.

Dialogue with the Boss-Lady:
Here is his active imagination with Flo, the name of the boss-lady. This brief dialogue is to his novel what an acorn is to an oak tree. This brief dialogue apparently contained all the genetic codes necessary to make a novel just as an acorn has the genetic codes that lead to an oak tree.

Flo: Howdy

Mel: Hi

Flo: Purdy hot day, huh?

Mel: I can stand the heat. It's the stray cigarette smoke that sets me off.

Flo: So that gives you the right to run off one of my regulars.

Mel: I asked her to put it out.

Flo: Did you ask her or did you beat around the bush with some rude indirect comment?

Mel: Lady, I don't know who you are or what's on your mind, but I really don't need any more crap today.

Flo: Well kid right now you're in my diner and you're runnin' off my patrons.

Mel: Oh great.

Flo: I've dealt with your kind for years so let's just cut to the quick.

Mel: Look, lady, I'm sorry if I offended anybody here, but I've got some problems. My MG is broken down across the street.
Flo: So what?

Mel: Things just aren't falling into place today.

Flo: Would you like some chocolate milk little boy, or how about your ass wiped? In this café, the world doesn't revolve around you. . .

The Creative Seed
While the creative process is different for each individual, one can sometimes discern similarities. The seed that unleashed Mel's creative process was a dream and a few sentences associated with the dream. His process bears some resemblance to the process by which Isak Dineson created her work.

Isak Dineson, a Danish novelist, had quite a reputation as a storyteller, and following dinner her guests usually asked her to tell a story. She complied, but stipulated that her guests must supply her with the opening sentence. Using this sentence as her starting point, she would then spin tales that were hours long.

She had a way of forming and telling stories that is, perhaps, a microcosmic example of the macrocosmic processes of all creation. I could see that, like a verdant and luxurious garden, all creation must first be seeded before it can produce a crop. In Dineson's case, the opening sentence given by the guest was the impregnating seed that she took into her imagination to create the story, like an acorn taken into the earth creates a tree. She began with a word (her acorn) that unfolded from itself a string of words connected to each other by some associative bond that produced a coherent creation. It is as if the opening sentence contained all the genetic codes that knew from the beginning where they were going and how they would get there. The mother is not conscious of the code; it operates invisibly and unconsciously once the seed is fertilized. The mystery is that such a simple, tiny seed can produce such a large and complicated product. It is as if the story develops in accordance with its own processes once the seed is planted in fertile soil. The tale was the crop that grew out of the seed. A mundane analogy to this process is the unwinding of a spool of yarn. The key is to find the tiny end, and then with that small piece in our hand we pull and find that attached to it is a long string that yields the totality of the yarn. We often refer to tales and stories as yarns.

Psychologists are familiar with these processes that are triggered by a single word, suggestion, or thought and that can appear in the verbal outpourings of their patients. They notice that words that belong together are part of an unconscious chain or string that is formed by a process that they called "association". Jung's work on his Association Experiments demonstrates the power of a word to stimulate the unconscious to produce other words that are meaningfully connected by association. Freud pioneered the use of "free association" to bring to consciousness a patient's unconscious complexes. In "free association" all the words that belong together in that string are revealed just as all the yarn is revealed when the spool is spun and then unrolled.

A book like Faulkner's The Sound and the Fury is written in the style of free association, where words with an associative connection appear as if they were spilled upon the page. Some people read it and see it as meaningless or, at best, as loosely connected gibberish. Others experience it as great literature. The Nobel Prize Committee apparently agreed with the latter. James Joyce's Ulysses and many other books have had similar mixed receptions. Some point to Jackson Pollock's process of painting as equivalent to Faulkner's writing, but in the case of Pollock it is drops of paint rather than words that are spilled. The works of both artists contain thousands of fragments (words or specks of paint) that have an associative coherence. In a sense, a novel is a big yarn, a long string that contains the bits and pieces that through association are attached to and belong with each other. If we think about it, we may suspect that there is some kind of "unconscious knowingness" behind this creative process. We can also suspect there is some kind of word (or note, or color or form) magnet in our psyche that draws to itself and coheres words, notes and colors that previously existed in isolation but, eventually, belong together.

About the Author:
After receiving AB and MBA degrees from Harvard, Lawrence Staples spent the next 22 years with a Fortune 500 company, where he became an officer and a corporate vice president. When he was 50, he made a midlife career change and entered the C.G. Jung Institute, Zurich, Switzerland, where he spent nine years in training to become a psychoanalyst. Lawrence has a Ph.D. in psychology and a Diploma in Analytical Psychology from the Zurich Institute.

Learn more about Lawrence Staples and his many publications.

An Engaging Journey of Self Realization

by Grady Harp

For those who have had the pleasure of discovering Mel Mathews through his first two books, LeRoi and Menopause Man, the wandering, questing central figure of Malcolm Clay has become a new literary icon. The promises so obviously made in the first parts of this (to date) trilogy happily have come to fruition in SamSara - a novel of sophisticated writing, thoughtful ruminations, keen humor, informative explorations of themes from religion to traits of visited countries, and so many clever double entendres - that Mathews' place in the ranks of fine contemporary writers is assured.

Mel Mathews has developed a style of interlocking his many characters, placing them strategically throughout the three books whether in flashbacks or dreams or weighing comparisons, of narrating in first person with his 40-year-old protagonist who has waded through a life of addiction, child abuse, frustrated love affairs, the success and boredom of being a tractor salesman, to the point of confrontation with his basic inner demons that prevent his success with women. In 'SamSara' he has reached a plane where he is seeking spiritual guidance, rolfing, and ultimately joining a group of twenty women in a trek to Florence, Italy for a seminar "Exploring the Images in Word and Art of Mary Magdalene: central to the theme is developing one's inner image of the feminine psyche". That is how committed to change is Malcolm Clay!

From Carmel, California to Zurich, to Florence for the seminar (a period in which Mathews details so much interesting information about the feminine aspect of Christianity, Gnosticism, the concept that Mary Magdalene as the Holy Grail bore a child named Sara Kali by Christ and escaped to a French village Saintes Maries de la Mer where the annual celebration of Sara AKA the Black Queen still exists), to France, and to Ireland Malcolm Clay writes in diary fashion, emails, and in dreams shared about his progress in dissembling his dysfunctional approach to women and in the process finding the validity of his own existence. 'You know, there's something about becoming more aware of what unconsciously runs a person. Awareness is a thief. It's robbed me of an illusion; it's robbed me of the belief that the only way a man can make love to a woman is by physically penetrating her.' And from this stance Malcolm grows into an enlightened man, forgiving his past, and getting in touch with his internal masculine and feminine counterparts.

One of the uniquely beautiful aspects of Mathews' writing is his ability to explore these thoughtful (even profound) topics with a effervescent sense of humor and a gift for communicating details of living in Florence, struggling with the French attitude, and seeking out the funky little eateries and Internet cafes in Ireland. For after all, the main reason for this meandering journey to Europe is to follow-up on a brief but meaningful encounter with a lass named Kelli whom he met in Carmel and agrees to meet in Ireland in hopes that he has finally found his perfect mate, hopefully with the added growth of his own sense of self. But the ending leaves some unanswered questions that suggest we may still be following Malcolm Clay through future novels!

After reading three books by Mathews, growing with his developing facility with construction of a novel, with his finessing of his style, the gifts of this author become increasingly apparent. He is wise, clever, earthy, and has many surprises up his sleeve. Example: 'SamSara' as a title for this book references the Hindu/Buddhist word for 'cycle of rebirth, of flowing together from this life into a reincarnation, an ignorance of True Self', yet it also is the name of the Irish pub where he comes to an awareness of his plight with Kelli, and in separating SamSara with the capital 'S' he also pulls in the name 'Sara', the product of Mary Magdalene coupling with Christ. That is the pleasure of reading Mel Mathews - he takes the reader on an engaging journey of self realization peppered by countless chuckles and observations of the human condition. He is an important author: he deserves to be widely read! Grady Harp, May 07

In addition to the USA Today and bloggingauthors.com, Grady Harp's reviews appear on Barnes & Noble, Soapadoo, Powells Books, and he is an Amazon.com Top Ten reviewer!!

To learn more about the Malcolm Clay series and to order books, visit www.melmathews.com